Adelaide Reviews
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- Valerie Lillington
Yes, it’s a good romp with lots of laughs, lovely music well sung and very good performances by all.
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- Valerie Lillington
This is an emotional play with not too many dry eyes at times, but if a play and its performers can move you, make you laugh, make you cry, make you think, then a good job has been done.
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- Valerie Lillington
This is a play well worth seeing and the audience bore witness to their enjoyment of it in their prolonged applause and happy chatter on the way out.
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- Valerie Lillington
Terrestrial’s author (Fleur Kilpatrick) says in the programme notes that she dedicated her play to lonely girls, bored boys, to quiet towns and “to a landscape that looks like Mars”. She adds ”landscape informs how our trauma, confusion, illness or fear manifests itself”. It does in this play.
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- Valerie Lillington
Myth, Propaganda and Disaster in Nazi Germany and Contemporary America is a long play with a long title and, at times, hard work for the audience who are rewarded for their attention.
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- Valerie Lillington
Born Yesterday will surely be a contender for the show of the year when the reckoning comes – for several good reasons – starting with the play itself.
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- Valerie Lillington
Stephen Sondheim’s name has been synonymous with interesting music and entrancing lyrics that move the story along since his name hit the lights in the late fifties.
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- Valerie Lillington
The restaurant reflects their lives – bleak and ordinary – and the waiter whose attention they are desperate to catch is symbolic of them reaching out in their desperation to find something meaningful in their lives – someone who will share it with them
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This is a production of which any director, cast and theatre company should be proud.