This wordless play has the pace of a symphonic adagio, starting in what might be late afternoon, traversing the night with its nightmares, and ending the next morning.
This show is delightful, touching, and expertly put together, and is a testament to the insight and skill of all involved.
In the aftermath of the Voice debacle, it is more than ever significant that this year’s Adelaide Festival has begun with two contemporary Indigenous ceremonies.
This show, devised by Robert Lepage in Canada fifteen years ago, forms the operatic centrepiece of the 2024 Adelaide Festival.
It is not moralistic, but brings us face-to-face with some of the biggest questions that face us in our complex society.
One of the most popular children’s stories ever adapts surprisingly well to the stage, and this large cast has a rollicking good time telling it.