Adelaide Reviews

Details: Ursula Beaumont; 30 April 2007

The multiple strands of the piece are deftly woven into a comprehensive and engaging story that catches the audience’s laughter with sighs of sadness.

Details: Ursula Beaumont; 08 April 2007

Prince Hamlet struggles to keep a sense of clear thinking and integrity in a world taken over by a murdering uncle, fratricide no less, and corruption.

Details: Ursula Beaumont; 02 April 2007

The warmth of the autumn sunshine follows me into the shade of the Adelaide Festival Centre Plaza where a ring of tent canopies, stalls and a babble of voices greet me.

Details: Ursula Beaumont; 26 March 2007

Voices ring out in Zulu, Xhosa, Sotho, English and Afrikaans, singing songs from different faiths and nations, singing of the past, of hope, politics, heartache, joy and celebration.

Details: Ursula Beaumont; 15 March 2007

Ignite Productions successfully accosts the audience in classic theatre of cruelty style, hauling them from the everyday into a grotesque world of the Young Man’s subconscious.

Details: Ursula Beaumont; 15 February 2007

Cursive utilises a range of eastern and western movement disciplines, including martial arts, Chinese Opera movements, modern dance and ballet, to explore Chinese calligraphy masterpieces.