Sister Act is purely and wholly full of nun fun. It is big, it is slick, it is fast, it is noisy and it is fabulous.
Any play by Samuel Beckett is likely to provoke fruitful thought, discussion and controversy amongst audiences and critics alike.
The play Is a fictional, but insightful demonstration of some of the vicissitudes and machinations that go on behind the façade of party politicking and the actual development of legislation that governs our daily lives.
From the moment that you take your seat, you will be aware that this is going to be an unusual piece of theatre.
Whatever your particular taste in music, this is an amazing piece of theatre not to be missed.
So was the weekend a success? No, said Richard Tognetti, it was an abject failure – instead of Nothing we had an overabundance of Somethings.
Brecht’s play enters the 1920s world of cabaret, an entry thoroughly cemented by Kurt Weill’s biting, acerbic score.