Adelaide Reviews
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- Nicholas Routley
When Ohlsson’s gigantic figure strode onto the stage and sat down at the piano, he made it look like a toy. It reminded me of Schroder in the Peanuts cartoons. And sure enough, he played Beethoven.
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- Peter Bleby
150 Psalms by 150 composers, collected into twelve themes, and presented in twelve concerts by four a-capella choirs was the vision of Tido Visser, the Managing Director of The Netherlands Chamber Choir, and this concert was number 6 in that series, with the theme of Gratitude.
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- Peter Bleby
When a much anticipated, professional production of a familiar and famous musical hits town, there is a buzz in the air, and the eager aficionados turn out in eager droves for the opening night.
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- Peter Bleby
Inspirational, superb, magnificent – and simply sublime are words that come to mind on hearing this remarkable choir, live in the Adelaide Town Hall – or possibly anywhere.
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- Nicholas Routley
The Mahler Chamber Orchestra is that rare beast among the world’s orchestras, a democratic institution. The players themselves founded it, and they choose their conductors. It has musicians from over 20 nations, and assembles for specific tours acoss Europe and the world.
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- Nicholas Routley
Chamber Landscapes is a long weekend of chamber music held yearly as part of the Adelaide Festival at Ukaria, a cultural centre with an auditorium purpose-built for chamber music, quite possibly the best in the country.
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- Nicholas Routley
I fell in love with Natalie Clein. Warm, unegotistical yet engaging, she spoke to the audience in the same vein as a simple remark attributed to her in the program, “The music is more important than me.”
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This is a production of which any director, cast and theatre company should be proud.