Adelaide Reviews

Details: Peter Bleby; 15 January 2021

This is a production of which any director, cast and theatre company should be proud.

Details: Peter Bleby; 09 September 2020

Gaslight is an entertaining, non-convoluted, engaging and superbly written piece, so that it stands up well after 80 years, especially when its traditional strength is imaginatively blended with some non- traditional contemporary casting.

Details: Nicholas Routley; 09 March 2020

I declare that the weekend at Ukaria in the Adelaide Festival is a unique jewel in the musical calendar of Australia, where venue, audience, and performers, embraced by the curators of the weekend, combine to produce an experience as close to ideal as can be imagined.

Details: Nicholas Routley; 09 March 2020

An evening when three different ballets are danced to a single score is a remarkable event. When that score is the inscrutable, un-danceable-to score that is Beethoven’s string quartet “Grosse Fuge” op 133, it becomes extraordinary.

Details: Peter Bleby; 07 March 2020

Fresh from last year’s Edinburgh Fringe Festival, this gripping and candid Australian Premiere is a most fitting exclusive addition to this year’s Adelaide Festival.

Details: Nicholas Routley; 07 March 2020

The 150 Psalms project mounted by the Adelaide Festival is unlike any other I’ve ever seen.

Details: Nicholas Routley; 06 March 2020

You might not think that the ethics of the Hippocratic oath would provide a stimulating plot for the theatre, but the way Robert Icke’s drama interweaves this with all kinds of race, gender, and class prejudices makes this work a classic document of contemporary England.

Details: Nicholas Routley; 04 March 2020

Cock Cock... Who’s There? | Adelaide Festival

Cock Cock..Who’s There? is a documentary show, devised and acted by Finnish-Egyptian filmmaker Samira Elagoz, in which she confronts her own experiences of rape.