Bijou's Secret is the haunting story of the three generations of women, and how their lives have been blighted by the bitterness of the unacknowledged past.
This is a play about ‘self-help,’ but in the sense that has meaning, not the daft sense. It's about quieting all the voices competing for attention, and confronting the true struggle that is Ruben's and Ruben's alone.
It's a simple story, a modern fable with a satisfying sense of inevitability about it. The plot, then, is not really the thing: this is a play about how the situation is handled by each of the characters.
The latest in a series of works by Terrapin Puppet Theatre to grapple with the notion of 'digital puppetry.'
Four writers were asked to live for a week in a small Tasmanian community and this quartet of twenty-minute plays is the result.
It was 7.30 on a Tuesday night when, red wine in hand, I made my way through the curtain that took me from the foyer of City Hall into the dimly lit festival club of the Hobart Comedy Festival.
It's not only the diverse backgrounds that these performers come from that makes Power Hip Hop a valuable experience, it's the very different ways that they approach the project.
Bangarra Dance Theatre's 10th anniversary tour of Terrain explores the timeless wonder of Kati Thanda (Lake Eyre) Australia’s largest salt lake and a landscape from where human beings draw life and express meaning to that life.
Sexual Misconduct of the Middle Classes is an enthralling and entertaining exploration of power, truth and desire, of afterglow and after burn.
A razzmatazz extravaganza of glitz, gloss, corsets, bustiers, stockings and frocks, Moulin Rouge exceeds even the excessiveness of the Baz Luhrmann film that this stage fantasia springs from.
Only three weeks ago, The Australian Ballet premiered the highly abstracted, contemporary Kunstkamer. Now, in polar opposite, they’ve pulled out Harlequinade from the ballet archives.
Kunstkamer runs the gamut of intimacy to mass frenzy with unrelenting commitment.