Latest Tasmanian Reviews
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- Briony Kidd
Each play runs at an hour and the combination certainly gives the audience its money’s worth.
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- Briony Kidd
The best moments in The Company I Keep are the most unvarnished: brothers and sisters squabbling and chasing each other with abandon, a man’s struggle with feelings of hopelessness, the co-dependent dance of lovers.
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- Briony Kidd
Most significantly, it's been executed with great gusto and joie de vivre by a talented ensemble of local musical theatre favourites.
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- Briony Kidd
The Perfect Circle is a brand new musical and a work of considerable scope and ambition.
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- Briony Kidd
No character has been around the pop culture block more than Count Dracula, who’s so familiar that he tends to be the punch line of jokes told by younger, hipper vampire characters.
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- Briony Kidd
The charm of Eight Hands, beyond the obvious talent of the participants, was as a striking demonstration of the versatility of the piano, with radically different attitudes and processes creating diverse musical experiences.
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- Briony Kidd
In short, it’s all very funny and a lot of fun - with audience participation, whimsical props and corny lighting adding to the overall effect.
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- Briony Kidd
With the show’s name coming from the French word for All Saints Day, each act included a macabre twist of one sort or another, with enough fake cobwebs strewn about the theatre to satisfy even the most ardent of Halloween revellers.
Most read reviews
While the musical is jam packed with the finest and most fabulous 90s hits and the cast are phenomenal, the content simply does not stand the test of time.
Bangarra Dance Theatre's 10th anniversary tour of Terrain explores the timeless wonder of Kati Thanda (Lake Eyre) Australia’s largest salt lake and a landscape from where human beings draw life and express meaning to that life.
Sexual Misconduct of the Middle Classes is an enthralling and entertaining exploration of power, truth and desire, of afterglow and after burn.
A razzmatazz extravaganza of glitz, gloss, corsets, bustiers, stockings and frocks, Moulin Rouge exceeds even the excessiveness of the Baz Luhrmann film that this stage fantasia springs from.
Kunstkamer runs the gamut of intimacy to mass frenzy with unrelenting commitment.