Miss Saigon is confidently performed, with a crisp pace that builds to greater and greater heights of emotional catharsis.
Jeffery Archer's The Accused, here presented by Hobart's oldest amateur theatre company, is a strange play in that it's really a gimmick and not much else.
Where this production proves its mettle is in its creation of an almost tangible little world.
Letter’s End is consummate entertainment. Every object in the Keeper’s room, and every object received through the mail chute, becomes an object of amusement.
There’s a vitality and sincerity to this production that makes it entertaining theatre
The idea of a gathering to share stories and music is still the essence of the piece, but in many ways this has become a much stronger show. It’s more polished, more focused, and considerably more entertaining.
Russell Lambert has just turned 30 and works part-time at a laundromat, while his social life revolves entirely around his membership of the Dr Who Fan Club of Tasmania.
After a trying 5 day lockdown it was a relief to be among the few who could revel in the sublimely silly A-Z of Dance.
At this moment in our cultural history, as Australia emerges gradually from the restrictions imposed because of Covid 19, each live concert is a particularly reviving and refreshing experience.
Loved up in lock down lasts as long as the first knock down in Videotape.
The bewildering confusion between dream and reality begins before one takes one’s seat in the theatre. You have to negotiate a building site and enter the Adelaide Festival Theatre by a side entrance (how like slipping into dream that is!), and put on a mask, so that it seems that the audience is itself on stage.
A new study examining the impact of the Corona virus pandemic on the Victorian music sector found that 58% of respondents are considering leaving the industry.