Miss Saigon is confidently performed, with a crisp pace that builds to greater and greater heights of emotional catharsis.
Latest Tasmanian Reviews
Jeffery Archer's The Accused, here presented by Hobart's oldest amateur theatre company, is a strange play in that it's really a gimmick and not much else.
Where this production proves its mettle is in its creation of an almost tangible little world.
Letter’s End is consummate entertainment. Every object in the Keeper’s room, and every object received through the mail chute, becomes an object of amusement.
There’s a vitality and sincerity to this production that makes it entertaining theatre
Samuel Paxton is your typical eight-year-old: energetic, imaginative and full of crazy schemes; “Mum says we can smash all the windows on one side of the house!” he boldly fibs at one point.
The idea of a gathering to share stories and music is still the essence of the piece, but in many ways this has become a much stronger show. It’s more polished, more focused, and considerably more entertaining.
Russell Lambert has just turned 30 and works part-time at a laundromat, while his social life revolves entirely around his membership of the Dr Who Fan Club of Tasmania.
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