Sydney Reviews
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- Richard Cotter
There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.
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- Richard Cotter
Contest pivots on vignette rather than a running narrative game.
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- Richard Cotter
Wit and beauty, pride and sorrow, self disgust and merriment
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- Richard Cotter
The topical and emotional impact of The Elocution of Benjamin Franklin is not diminished in this splendid production.
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- Nicholas Routley
Young, O’Neill, Ionis, and indeed every member of the orchestra understood how to let this music crack open the psyche, yet hold us there in ways that can transfigure our souls.
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- Richard Cotter
Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
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- Richard Cotter
Grace Wilson’s Gia Ophelia is a blistering examination of thwarted art and choices denied.
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The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.