Pinchgut’s production of Platée is a banquet for the senses. It is also a milestone in its history of 20 years of productions, a glittering success even by their own standards.

After twenty-one years with the Sydney Theatre Company, the Wharf Review has jumped ship, so to speak, dropping their anchor of satirical rancour and mooring at the York Theatre in the Seymour Centre.

Hotter than Hamilton, cooler than Come From Away, Merrily We Roll Along is the just the ticket to verily roll away those lock-down blues.

It is a skewed symbiosis that unravels before the audience as the interaction between such strong characters carries us all on their treacherous verbal ride, the banter between the two protagonists is unyielding.

Behind every name is a story, or is it ‘behind every story there is a name’?

A feminine counterpart to Krapps’s Last Tape, but funnier, and arguably less dour, Happy Days is happier, with wishful wisps of hope and a wistful whisper of nostalgia.

Le Petit Prince or The Little Prince is a most beloved tale by the French pilot, writer and aristocrat, Antoin de Saint-Exupéry. A fable that will resonate no matter how old you are or whatever your life story. 

David Ireland’s Ulster American hammers us with humour, hubris and hypocrisy.

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