Stalking The Bogeyman sifts through rage, recrimination and revenge, exploring ideas of redemption and reconciliation.
Sydney Reviews
What sounds like a silly as a supermarket trolley wheel romp, The Walworth Farce is a sinister story of history held hostage by homicidal patriarchy.
The musical Gypsy, is a near perfect show, exquisitely crafted by a collection of geniuses of the music theatre genre.
“This is not a story of reconciliation” but rather a pedal-to-the-metal indigenous revenge fantasy, presented as a giddy, gaudy and glorious pastiche of vigilante-superhero narratives and American Blaxploitation cinema.
Capturing both the careworn oppression and the wry impishness of her former self beginning to burst back up to the surface, Millerchip is a delight and a powerhouse, carrying the show almost effortlessly on her shoulders.
An extraordinary new play which takes us on a family saga across three generations of Pyrmont residents, encompassing the history of Sydney’s perpetual gentrification.
It might go down a treat as a Nanny's business card, but it seems to have little currency for Tara Marice's character, Sandra in Brooke Robinson's Good Cook. Friendly. Clean.
The tale of a kangaroo who breaks from the mob and chases her dream of dancing, was originally a book written by Jackie French. The leap from the pages to the stage appears effortless and none of the book’s charm is lost.
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