For their first date with the Roslyn Packer Theatre Pinchgut Opera chose possibly the most unlikely work in the entire repertoire of early opera: Purcell's The Fairy Queen.
The Pinter patter of briny beat and shiny feat of sheer theatrical flair is in full glorious swing in Mark Kilmurry’s double bill.
Progress at a pace, rampant and unbridled, seems to be Public Enemy God Number One in S. Shakthidharan’s latest play.
This year's Festival has set a new standard in refinement, both of performance and of structured programming.
In the Next Room is a Thanks Givings feast, without the turkey and trimmings.