Sydney Reviews
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- Richard Cotter
As befitting a work honouring the inventor of the printing press, Gutenberg! The Musical! is enamoured of words, drunk on words, intoxicated with text, mad for the metaphor, passionate for the pun.
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- Richard Cotter
The accent is on language in English, Sanaz Toossi’s Pulitzer Prize winning play being presented by Outhouse Theatre.
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- Richard Cotter
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
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- Richard Cotter
Anastasia is a spectacle and the technical prowess is spectacular.
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- Emily Shaddick
Stomping, growling, jaw-dropping, Erth's Dinosaurs at the Sydney Opera House is a show that sparks wonder in kids and adults alike.
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- Richard Cotter
Sylvia’s getting married and she and her sisters, Hazel and Maggie, are getting their hair curled.
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- Richard Cotter
Based on an Australian literature classic, My Brilliant Career is destined to become an Australian theatrical classic.
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- Richard Cotter
Anton Burge’s two-hander pulls back the curtain on the set of a film that was supposed to rekindle waning careers but ignited old enmities.
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This rollicking musical take on Jane Austen’s beloved novel is a side-splitting crowd pleaser.
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Current | Sydney Dance Company
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
The Gospel According to Paul – The Second Coming | Soft Tread Productions
The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.