The MFO stands loud and proud as a jazz force to be reckoned with. Compositionally, orchestrally, live and recorded, they manage to get down a whole new sound.
With reviews for his stand up ranging from “better than Jesus” (The Scotsman) to “sick and repellent” (Christian Voice UK) my curiosity was, understandably, piqued.
It's the festival designed to take wog actors out of work and put 'em in it. It's the festival designed to jolt us, from our white Australia arts policy and politics slumber.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.