This particular Mahler aficionado left having been given renewed insight into this music, a diversification of understanding, and a richly sensuous experience.
Ute Lemper’s voice at first seems deep and husky and it’s not until she lets fly that you realize she’s in possession of an extremely versatile instrument with a considerable range.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.