On the one hand, they seem like the father-daughter double-act least likely to be a father-daughter double-act. On the other, ironically, it's hard to imagine any two people could be better-matched than the inimitable, incredible Dick & Christa Hughes.
The MFO stands loud and proud as a jazz force to be reckoned with. Compositionally, orchestrally, live and recorded, they manage to get down a whole new sound.
With reviews for his stand up ranging from “better than Jesus” (The Scotsman) to “sick and repellent” (Christian Voice UK) my curiosity was, understandably, piqued.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.