Sydney Reviews

Details: Nicholas Routley; 25 June 2010

Dance of the Imagination | Sydney Symphony

The orchestra under Caetani’s assured and powerful direction seemed to revel in displays of virtuosity that would terrify me.

Details: lloyd bradford (brad) syke; 17 June 2010

Push Up is a tedious play. If ever there was a play that skimmed and skidded across the surface of its subject, dipping the odd toe in, without ever even looking like risking immersion, it's Push Up.

Details: lloyd bradford (brad) syke; 16 June 2010

Watussi is all about the poetry of motion; the impulsive, incandescent and sensual. All their music is driving, engaging and instrumentally virtuosic.

Details: lloyd bradford (brad) syke; 15 June 2010

W;t grapples with regret, relationships, the here-and-now, the hereafter, life, death, the unattainable, inescapable and ineffable; with choices & compulsions; the professional and personal.

Details: lloyd bradford (brad) syke; 15 June 2010

33rd Runnymede Pop Festival | Renaissance Players

It's about the most fun you can have while keeping your kirtle on.

Details: lloyd bradford (brad) syke; 15 June 2010

Bedard and co have managed to exact all the pathos that is built-in to this momentous work.

Details: Augusta Supple; 15 June 2010

Many playwrights have tried to write this play, tried to say what it is saying, tried to ask of us what it is asking - but it is Jonathan Gavin has succeeded with Bang.

Details: Rebecca Whitton; 12 June 2010

Director Benedict Andrews’ latest offering is a contemporary, sharp and original version of Shakespeare’s Measure for Measure that clearly references the hypocrisy of our current politicians as well as the bigotry of ideological purists.

Most read Sydney reviews

The Lark | Hey Dowling
Noni Hazlehurst brings Rose and The Lark to colourful and compelling life in this one-woman show.
Uked! | Bondi Theatre Company
Uked! is a sing along, string along, immersive jukebox musical, that's more folksy balladeering than an all out, all that jazz razzmatazz.
Doubt | Sydney Theatre Company
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
The Can Principle | Jonny Pasvolsky
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.
Heartbreak Hotel | EBKM
Heartbreak Hotel invites its audience into an intimate portrait of the universal and isolating experience of heartbreak.