This particular Mahler aficionado left having been given renewed insight into this music, a diversification of understanding, and a richly sensuous experience.
Ute Lemper’s voice at first seems deep and husky and it’s not until she lets fly that you realize she’s in possession of an extremely versatile instrument with a considerable range.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.