There's something terrifying about Judy Bailey. I reckon she'd be a hard taskmistress. But that's precisely what's so great about her and, consequently, about the (mostly) con students who make up the Jazz Connection big band.
Nardi Simpson and Kaleena Briggs met at Eora College 11 years ago. Thank God they did, or we wouldn't have Stiff Gins, a couple of angel-voiced singers and songwriters with gentle souls and sharp, perceptive minds.
As Rowan Atkinson, playing an imperious teacher in a comedy sketch, once described it: “The Comedy of Errors has the joke of two people looking like each other. Twice.”
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.