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Notaro uses her deadpan voice, her stare, her sense of timing to build her rapport and she’s highly skilled at it.
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There’s something both endearing and precocious about her blatant awkwardness and penchant for self-embarrassment.
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Rhea commands the stage and her audiences’ attention. Her style is what I think of as old-school stand-up.
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An unforgettable, rambunctious, theatrical event is this Malthouse/Sydney Theatre Company co-production of Bertolt Brecht’s Baal.
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A dining experience that is pure entertainment leaving you walk away with much more than a full tummy.
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This production dabbles with a lot of contentious issues; the experience of deaf people in the community, animal rights, the issue of informed consent, the nature of love and the ethics of who can love in the eyes of the law.
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