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In The Next Room bills itself as a comedy and it is at its best when playing for laughs; the wit is elegant and here we have a writer who knows exactly how (if not always when) to keep out of the way of her story.
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Notaro uses her deadpan voice, her stare, her sense of timing to build her rapport and she’s highly skilled at it.
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There’s something both endearing and precocious about her blatant awkwardness and penchant for self-embarrassment.
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Rhea commands the stage and her audiences’ attention. Her style is what I think of as old-school stand-up.
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An unforgettable, rambunctious, theatrical event is this Malthouse/Sydney Theatre Company co-production of Bertolt Brecht’s Baal.
