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He effortlessly gets the audience on his side but fails to do enough with them once they are there. He is constantly amusing without ever being hilarious.
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The cast of thousands (or so it felt) then provided us with a night of light-hearted revelry with everything from belly dancing, to mime, tap and comedy skits.
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If the immediate discussion The End prompted at its conclusion is any indication, this is the sort of theatre that the Malthouse audience has been waiting for.
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Apologia by award-winning playwright Alexi Kaye Campbell is a witty play; it is obvious how much fun the writer has with eloquence.
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The stage was alive with activity as films were projected, onto screens, sets, props and even the actors themselves.
