
Where Earth really excelled was in the way that they tackled heavy issues with intense commitment one moment and then superficial farce the next.

Regardless of the fact that I know we won the America’s Cup in 1983, the last 15 minutes of Taking Liberty last night had me leaning forward in my seat, barely breathing in anticipation.

Sarah Giles has directed a tight, caustic production that leaves a lasting impression (or possibly a scar).

Part one man-show, stand-up routine, theatre of the absurd, dance, improvisation and poignant drama, it is impossible to categorize but it is a wild and thrilling ride.

Pinchgut Opera is unique in Australia as an opera company dedicated to music of the 17th and 18th centuries, and it is also, deservedly, highly successful.

This unpretentious production is definitely an over-achiever that shows promise of far greater things.