
Sarah Giles has directed a tight, caustic production that leaves a lasting impression (or possibly a scar).

Part one man-show, stand-up routine, theatre of the absurd, dance, improvisation and poignant drama, it is impossible to categorize but it is a wild and thrilling ride.

Pinchgut Opera is unique in Australia as an opera company dedicated to music of the 17th and 18th centuries, and it is also, deservedly, highly successful.

This unpretentious production is definitely an over-achiever that shows promise of far greater things.

Bojana Novakovic brings a mesmerizingly beautiful and wayward Mary MacLane to the stage with sensitivity and a palpable love for the character and her words.

This is a wonderful adaptation of a modern literary classic, and one of the best productions I have seen by Opera Australia in the past few years.