Latest Reviews
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The Bakehouse Theatre Company's latest offering is a tour de force, enthralling from start to finish and lingering long after the final moving moments.
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Alice has returned. She’s been away for a long time, and now she’s back. Back at home. It’s not quite clear where she’s been...but everything is new.
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The Hills Musical Company's revival of Sweeney Todd: The Demon Barber of Fleet Street is bloody good.
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With the irregular stream of witty one-liners ejaculating from a gender-heavy view of the world of porn, relationships, gag reflexes and pub pick-up politics, The Fellatio Monologues is a mixed delivery style of stand up and live theatre, raw, unpolished and ‘cool’.
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The Australian Ballet’s production of The Merry Widow is, in a word, stunning. From beginning to end, the dances (and dancers) are mesmerising.
