
With a cunning script, slick stagecraft from the technical crew, a killer soundtrack and three jaw-dropping performances, this production does everything right.

The show is colourful and fun, and offers audiences an array of performances with something to suit all tastes.

The stage was bursting with talent, the performers feeding of each other’s energy to create the wild atmosphere, reminiscent of a garage performance, that was relaxed and fun while still being masterful.

From the moment he is carried onto stage, lolling in the arms of a masked gimp, you can see where the sense of humour for the night is going to be pitched. From the moment he lets loose his pipes on Do Re Mi’s Man Overboard, you know what a prodigious vocal talent he possesses.

Since premiering at the Adelaide Cabaret Festival, this tongue-in-cheek homage to a dubious pop princess has already enjoyed several successful seasons in various cities.

Bryony Lavery’s script relies heavily on the narrative conventions used in any tale of a young battler trying to achieve sporting success.