
Being a one time only event, you won’t get to see it unless you have an actual working Tardis but any of the speakers are worth catching if you see their name on a line-up.

His crooning credentials have never really been in question, but I didn’t realize how… bouncy he is. He clearly has to move to the music, and it makes for a one highly entertaining, invigorating show.

Midsummer (a play with songs) is an utterly, utterly gorgeous piece of theatre. It is riotous and chaotic and hilarious and tragic and messy and beautiful (and yes, it has songs).

It’s really all about the music. No style is sacred and they poke fun at every cliché going, from the techno blasted from young hoons’ car stereos to all those songs that you think you know the lyrics to...sort of.

Rosie Portelou made a return to Perth for one night only as part of the Fringe Festival last night, and delighted the sold out crowd.

Cabaret Allsorts was a series of comic vignettes, showcasing some very good performers in a light hearted setting.

Joined onstage by the stunning vocals of soprano Antoinette Halloran and counter-tenor, Tobias Cole, the performance was a dazzling array of imagery and sound.