
Never a mere headline performance bolstered by two token supports, theirs are concerts re-imagined as eclectic, carefully curated events – designed to showcase not just their own exciting work but that of their contemporaries and peers.

Fat Swan is a perfect fit for the Spiegletent. A portly drag queen in a tutu, a film star, a musical theatre goddess, a reality TV star, and a send-up of last year's most send-up-able cinema hit.

Cy*bent*ity has the scope to be really, very scary. If you 'friend' its central character, Polly Wolly, on facebook, and then see the show, you have no idea what she could dig up.

The song that goes, "Istanbul was Constantinople, now it's Istanbul, not Constantinople," has been on such high rotation in my head since this show that the words don't sound like English anymore.

The piece is about a man in self-destruct mode. It's like Steve McQueen's recent film, Shame, without the thinking space and with added cigarette burns.

If you ever wanted to hear J. S. Bach’s orchestral music played masterfully, then the Freiburg Baroque Orchestra is as close as it gets.

Dawson's script and the talented array of actors offer a unique examination into the masculine and feminine roles that have been dictated for over 400 years.