Latest Reviews
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The merging of Simon and Silvia's minds has created something completely unlike anything I've seen or experienced in theatre before – and on a rainy afternoon in Melbourne, that is a seriously delightful thing.
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The production is bold, adventurous and, at times, quite affecting but too often lacks the precision and discipline necessary to execute its ambitious aims.
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The Method Gun concludes so fantastically you genuinely fear you'll never see anything so exquisitely human ever again.
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A son returns to his hometown of Nottingham to visit with his father and confront demons both past and present in battle for truth, honor and acceptance.
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Cabaret is a tricky business. No-one is more attuned to this than Ruth Wilkin, who has been treading the boards and winning awards in the cabaret business over the last few years.
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Carol Young explores how easy it is to fall in love with someone you've never met in this spooky solo comdey/cabaret performance for CabFringe, as part of the Adelaide Fringe.
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Fleur Murphy's story-telling sparkles in this gritty piece about four 'femme fatales' embroiled in the same 1920s, Australian underworld crime.
