
The Rake's Progress, by Igor Stravinsky, is a simplistic operatic morality tale, based on eight paintings done by William Hogarth in the 1730s.

The Arts Centre's State Theatre was alive with colour and passion as choreographer Fei Bo brought his impeccable troupe of dancers from The National Ballet of China to the stage in his adaptation of The Peony Pavilion.

The Adelaide Chamber Singers and the Sydney Chamber Choir, the two choirs which formed the chorus, were magnificent in their triple role.

A few years ago Quirky Productions produced the successful Zanna Don't at Chapel off Chapel. This time they have decided to go bigger and bolder – with mixed success.

A Streetcar combines the best of francophone theatre, European theatrical traditions, modern media technology and music to communicate the sequences of intricate psychological fractures that constitute the character, Blanche Dubois.

The Gilbert and Sullivan Society begin their 2012 season with a fresh take on the enchanting tale of Iolanthe.

This was a brilliant, brave, an deeply stirring show. It did not answer many practical questions, but I think our society isn't able to do this yet.