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Their show is replete with spot-on, witty, and off-the-cuff raillery. And plenty of other stuff too. Their skits are random, playful, and packed-full of personality. They interact with the audience easily and commit impressively to some risky material.
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Onqoto and Parabelo was a visual feast as the lean, strong bodies of the Brazilian dance company, Grupo Corpo stomped and leaped their way across the stage of His Majesty's Theatre.
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Bemusement Park is an apt title for Woodley's show as his topics range from the obscure, the absurd, the profound and even the rank.
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Reid improvises freely and, throughout her 30 minute piece, aims to break traditional notions of the performer/audience divide.
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This rendition of The Farce of Sodom, most likely written by the infamous Earl of Rochester in the late 17th century, excites very little movement of the loins.
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How Like An Angel will remind you of the miracles of the human body and what its true capabilities are when stretched to the extreme.
