Latest Reviews
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This is ensemble work of the highest order.
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For anyone who has dealt with the deterioration of a parental figure, this is a deeply affecting, hopefully cathartic, but potentially harrowing night at the theatre – this is an intellectually stimulating, emotional gut-punch of a play.
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It really is something to walk out of an event genuinely uplifted by talent. The Opening Gala of the 2018 Melbourne Cabaret Festival was not only a fun and classy evening, it was an alluring glimpse into a fine programme canvassing some truly extraordinary performers.
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What a welcome the packed audience gave to Ali McGregor when she stepped out on stage to tell the story of Yma Sumac at the Dunstan Playhouse!
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The Maids is an angry, violent play involving just three women – two maids, aged 30 and 35, in the opulent home of Madame in Paris.
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In what might be either a psychotic break or a divine revelation, Harry Joy concludes that when he “died” it was not his old life to which he returned, but rather has found himself in Hell.
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Assassins is not a conventional narrative musical, to be sure, but it is powerful stuff, with an emotional and intellectual impact not to be underestimated, lurking just below the surface of its outré premise and delightfully gaudy production design.
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‘Saving the best til last’ is how the Melbourne International Jazz Festival announced legendary bassist Christian McBride on the festival’s closing night.