Latest Reviews
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What sounds like a silly as a supermarket trolley wheel romp, The Walworth Farce is a sinister story of history held hostage by homicidal patriarchy.
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The interrogating police officers in Martin McDonagh’s The Pillowman ask some exceedingly graphic questions, and like the play itself, the journey to unravelling answers is abundantly confronting.
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The musical Gypsy, is a near perfect show, exquisitely crafted by a collection of geniuses of the music theatre genre.
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This new production of The Wizard of Oz by Andrew Lloyd Webber retains all of the classic elements that anyone familiar with the 1939 film would hope to see, while subtly updating the story for a more contemporary audience and cleverly incorporating some visual wizardry of it's own.
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George Frederic Handel’s Dixit Dominus is a challenge for any choir and orchestra, and when set next to Antonio Vivaldi’s Gloria, together they make a splendid program.
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“This is not a story of reconciliation” but rather a pedal-to-the-metal indigenous revenge fantasy, presented as a giddy, gaudy and glorious pastiche of vigilante-superhero narratives and American Blaxploitation cinema.
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Yes, it’s a good romp with lots of laughs, lovely music well sung and very good performances by all.
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This is an emotional play with not too many dry eyes at times, but if a play and its performers can move you, make you laugh, make you cry, make you think, then a good job has been done.