Latest Reviews
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Jones opened in a familiar vein, taking an old standard and utilising his marvellous voice to play havoc with the timing of the music and the lyrics. Just in Time was a lovely salute to a past era.
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Stalking The Bogeyman sifts through rage, recrimination and revenge, exploring ideas of redemption and reconciliation.
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Slapstick and verbal wit pulled together with impeccable direction and comic timing make for a witty piss take of Melbourne’s literary world, so familiar to its audience.
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What sounds like a silly as a supermarket trolley wheel romp, The Walworth Farce is a sinister story of history held hostage by homicidal patriarchy.
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The interrogating police officers in Martin McDonagh’s The Pillowman ask some exceedingly graphic questions, and like the play itself, the journey to unravelling answers is abundantly confronting.
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The musical Gypsy, is a near perfect show, exquisitely crafted by a collection of geniuses of the music theatre genre.
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This new production of The Wizard of Oz by Andrew Lloyd Webber retains all of the classic elements that anyone familiar with the 1939 film would hope to see, while subtly updating the story for a more contemporary audience and cleverly incorporating some visual wizardry of it's own.
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George Frederic Handel’s Dixit Dominus is a challenge for any choir and orchestra, and when set next to Antonio Vivaldi’s Gloria, together they make a splendid program.