Latest Reviews
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‘Fearless’ hardly begins to describe this evening’s phenomena but it’s a good start.
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The Melbourne International Jazz Festival opened at The Jazzlab with Paul Grabowsky’s The Gravity Project, so named because different musical traditions and forms are held together by mutual attraction.
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As each character emerged, warm recognition was obvious, with a buzz from the audience seated at tables with their wine, tea or coffee, and muffin (available from the back of the hall for a moderate price) before them.
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I walked into the State Theatre with high expectations for Oklahoma based on my previous experience with The Production Company’s work, and they certainly delivered with this production.
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It is beautifully staged, excellently sung, superbly supported by a first class orchestra and so much fun, you will want to see it again.
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Jones opened in a familiar vein, taking an old standard and utilising his marvellous voice to play havoc with the timing of the music and the lyrics. Just in Time was a lovely salute to a past era.
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Stalking The Bogeyman sifts through rage, recrimination and revenge, exploring ideas of redemption and reconciliation.
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Slapstick and verbal wit pulled together with impeccable direction and comic timing make for a witty piss take of Melbourne’s literary world, so familiar to its audience.