Latest Reviews
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An extraordinary new play which takes us on a family saga across three generations of Pyrmont residents, encompassing the history of Sydney’s perpetual gentrification.
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It’s a tumultuous cloud of life-changing decision that descends on many women as their 30s roll-out. To be a mother or not to be – that is the question?
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This is a play well worth seeing and the audience bore witness to their enjoyment of it in their prolonged applause and happy chatter on the way out.
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The play pares down Peter Carey's Bliss to produce an entertaining three-hour show, with plenty of onstage shenanigans.
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Terrestrial’s author (Fleur Kilpatrick) says in the programme notes that she dedicated her play to lonely girls, bored boys, to quiet towns and “to a landscape that looks like Mars”. She adds ”landscape informs how our trauma, confusion, illness or fear manifests itself”. It does in this play.
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It's difficult to determine who the real star is in this piece; the exquisite writing, or the equally perfect performance. That both are the work of the same person... truly impressive stuff.
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It might go down a treat as a Nanny's business card, but it seems to have little currency for Tara Marice's character, Sandra in Brooke Robinson's Good Cook. Friendly. Clean.
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Described as a post traumatic play, Hungary Ghosts is both complex and challenging. While conscious in its use of multiple characters and threads, commentary on national themes does give echo to a central, more personal narrative around culture, loss, belonging, patriotism and identity.