A kitchen sinker for the 21st Century, The Children cements playwright Lucy Kirkwood's place in contemporary theatre's pantheon of stylists with form.
Ever changing with the calender, music lovers can be assured of two things over the Easter long weekend: predictably unpredictable weather, and Blues.
The complete destruction of Paris, the annihilation of the arrondissements, and the slaughter of its citizens. Such are the stakes in Cyril Gely’s trim, taught and terrifying play, Diplomacy.
Although somehow just a whisker off being perfect, Williams’ new production of The Resistable Rise of Arturo Ui is a theatrical powerhouse, with bold stagecraft and an exciting cast all clustered around a stunning central performance.
Lachlan Philpott's lauded play is decidedly lyrical, but with the absence of action becomes homiletic, a little too much tell and not enough show.
Biology is the comedy chemistry in The Stevenson Experience. Aussie identical twins Benjamin and James Stevenson sass and banter their show into an ideal blend of structured storyline mixed with natural improvisation.
A Pacifist's Guide to the War on Cancer is gosh factor cathartic theatre with a reach that extends our gasp.