80 minutes long, one man on stage and a rapt audience. His name is Thomas, Tommo, and he’s about to die. That
This is Samantha Dodemaide’s first really big role as Dorothy and she fills it well. Her diction is clear, her singing voice good and she acts with conviction as the young, confused girl who travels into the unknown with her dog.
A kitchen sinker for the 21st Century, The Children cements playwright Lucy Kirkwood's place in contemporary theatre's pantheon of stylists with form.
Ever changing with the calender, music lovers can be assured of two things over the Easter long weekend: predictably unpredictable weather, and Blues.
The complete destruction of Paris, the annihilation of the arrondissements, and the slaughter of its citizens. Such are the stakes in Cyril Gely’s trim, taught and terrifying play, Diplomacy.
Although somehow just a whisker off being perfect, Williams’ new production of The Resistable Rise of Arturo Ui is a theatrical powerhouse, with bold stagecraft and an exciting cast all clustered around a stunning central performance.