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From the glamour of 1979's Scheherazade, in which dancers dressed in glittering gold Akira Isogawa designed skirts are accompanied by soaring operatic vocals, to the boisterous playfulness of Ellipse (2002), with its nod to Western hoe-down dancing, Murphy's startling range is on display.
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Strongly choreographed and tightly presented celebration of circus and aerial skills.
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At school they might just be girls, but here they are a squad, a pack. Here they are the Wolves.
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Akram’s dance was fiercely energetic exuding passion and energy, his body emitting terror, bewilderment and despair with different styles
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Sometimes going to the theatre is far, far more than “a nice night’s entertainment” – it’s a visceral experience – and such was Bernstein on Stage, a truly lovely event.
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Darcy Kent as Thomas and Tilly Legge as Vanda are excellent. Not only are they comfortable and convincing in their roles, but their skill in switching roles is impeccable.
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It was a dramatic start to Freeze. The 70 or so audience members were asked by Dutch visual/performance artist, Nick Steur, in the ABC Grainger Studio’s attractive foyer to be silent throughout, told that we could stand, walk about or, as most did, sit on the floor – and watch.
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This is the third of the trilogy and concerns the Polish woman Marie Curie who with her husband discovered radium and polonium and after his death, so much more.