Elegantly clad in a black full length, cut-away shouldered number Cathrine Summers was accompanied by the excellent Alastair Peel on keyboards and the clever pianist Ben Matthews.
Horror combines intense soundscapes, unsettling video projections, prodigiously precise performance, ingenious lighting techniques, meticulous trick sets and props, all working together to create some very impressive illusions.
Lewis and Fleming have hit upon something special in diffusing the inadvertently misogynistic potential of a more plodding approach to modernisation, they have created something that feels both timely and timeless, of the moment yet cut very much from the classic’s cloth.
It starts in a sleazy hotel room. An older man enters with a much younger woman. From the moment they walk in, it’s uncomfortable.
Three musicians, an accordionist, a violinist and a clarinettist kick off Hayes Theatre Company's production of She Loves Me.