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Over the past decade, the Sydney based theatre company, subtlenuance, has been an indispensable and vibrant part of the independent theatre landscape, dedicated solely to the creation of new work.
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The physicality, and inventiveness, of this wondrous epic has so many whip-cracking moments (literally) and is so totally engaging, I could watch this performance over and over again and still miss many of the nuances.
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Beautifully written, hilariously funny and performed with raw honesty and impeccable timing, the joy of The Architect is that excruciatingly tough questions feel answered with logic and compassion.
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Perhaps the political stance of this production is either simpler or conversely more nuanced than is readily apparent to this reviewer, but frankly the messages felt mixed to the point of seeming garbled.
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Caleb Lewis' play, Maggie Stone, is about life as a transaction with its ledgers of debts and dividends, deposits and withdrawals, and the sadly defecit balance sheet of common decency in capitalist society.
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Some memories are closer to the truth than others, and some are firmly held to protect us from the truth we can’t face.
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Messenger can blast and soar with the best of them, but she also compels when she purrs.
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The uninspired use of decades-old staging unfortunately detracts from the excellent performances of the main leads, who would blow the roof off any production fortunate enough to feature them.