Latest Reviews
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Elegantly clad in a black full length, cut-away shouldered number Cathrine Summers was accompanied by the excellent Alastair Peel on keyboards and the clever pianist Ben Matthews.
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Horror combines intense soundscapes, unsettling video projections, prodigiously precise performance, ingenious lighting techniques, meticulous trick sets and props, all working together to create some very impressive illusions.
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Lewis and Fleming have hit upon something special in diffusing the inadvertently misogynistic potential of a more plodding approach to modernisation, they have created something that feels both timely and timeless, of the moment yet cut very much from the classic’s cloth.
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Wouldn’t it be nice if we all knew the rules for living? Or would it?
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It starts in a sleazy hotel room. An older man enters with a much younger woman. From the moment they walk in, it’s uncomfortable.
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Three musicians, an accordionist, a violinist and a clarinettist kick off Hayes Theatre Company's production of She Loves Me.
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Omigod you guys – if this isn’t the best feel good musical of the year, I don’t know what is!