This production is an overwhelming triumph. The conductor, Andrea Molino, understands the score so deeply that by the third scene the musical language seemed completely natural, embracing both lyricism and disjunction comfortably.
A musical about a man with multiple personalities, Herringbone showcases the multiple talents of actor, singer, dancer, Jay James-Moody.
The title sounds like Last Night of the Proms with Land of Hope and Glory as the finale. Nothing could be further from the case.
The Australian Shakespeare Company’s Macbeth is a wonderful example of what happens when the wrong man is given all the power.
Powell was an excellent MC, providing the audience with chatty anecdotes about the early days of Sun Records under Sam Phillips.
Champagne, exquisite showgirls, a suave oh-so-French MC, simply extraordinary aerialists, gorgeous costumes, sensual dance moves, comedy, risqué banter, sequins, feathers, barely-there lingerie.
Damian Power had more than a few good comedic moments, however his super relaxed manner often came across as under rehearsed, even ill-prepared. It really surprises me to see an experienced comedian refer to notes.