For those who missed out on a ticket to Melbourne's sell-out season of Graeme Murphy's Swan Lake, head down to Federation Square on Wednesday 9 April at 7:25pm to watch The Australian Ballet perform the smash-hit production live via satellite from the Sydney Opera House
In 1999, Jeanne Pratt launched The Production Company with an annual season of three Broadway musicals. Flash-forward to 2008 and 27 shows later, The Production Company has become the leading producer of short season musicals in Australia
Melbourne Recital Centre Chief Executive Officer Jacques de Vos Malan yesterday announced the successful tenders for two of the centre’s key operating systems which are now being installed.
Circus Oz announced its intention to “raise the roof” and “raise the bar” in 2008. As the internationally renowned contemporary circus troupe commences celebrations for its 30th birthday, it also announced a number of initiatives, which will enhance the company’s role as leader in the future development of Australian professional circus arts
The most sought after roles in Australian music theatre - the witches from Wicked were announced in New York last week. Amanda Harrison and Lucy Durack met their Broadway counterparts on stage at the Gershwin Theatre
Started in 2005, The Funny Tonne is the Amazing Race of Comedy – the world's premier competitive audience challenge. It is a race to see how far comedy lovers will go to see the most Comedy Festival shows and win The Funny Tonne title.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.