Since its inception with one award for comedy in 2001, the Melbourne Airport Emerging Talent Program has grown to cover a range of awards for emerging artists across Melbourne.
Carol Schwartz, AM, President of the Melbourne International Arts Festival
announced Brett Sheehy as Artistic Director for the 2009 and 2010 Melbourne Festivals. Sheehy takes over from current Artistic Director, Kristy Edmunds who presents her final festival in 2008.
The full cast and crew of Monty Python’s SPAMALOT took-to-the-stage of Her Majesty’s Theatre last week as the Australian premiere of the smash-hit musical draws near.
The Hon Peter Batchelor MP officially opened Melbourne Recital Centre for business with the announcement to the music community that bookings for the two performance spaces – Elisabeth Murdoch Hall and the Salon – are now being taken.
The weather bureau has delivered the worst possible forecast for Sunday in Sth Gippsland including driving rain and gale forced winds. In the face of what will be a definite washout Chill Island has been moved to Tuesday Nov 6th - Melbourne Cup Day
Two of Melbourne’s most prestigious arts companies, the Melbourne
Symphony Orchestra and the Melbourne Chorale today announced their plans to formally integrate next year.
Last night Melbourne’s arts community celebrated the success of The Age 2007 Melbourne Fringe Festival presenting the cream of the Festival crop with awards in 22 categories.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.