
A couple of years on, the story is still timely, and this encore production cements The Bleeding Tree as a bonafide classic.

Billed as “the superhero origin story of Shakespeare’s Henry V”, this is a production filled with confident zeal but sadly doomed to fail as spectacularly as the French defeat at Agincourt.

A single man stopping a fleet of armoured vehicles is an inspiring image, one that has ignited the imagination of playwright Lucy Kirkwood. Not a masked avenger, yet he is still a mystery man, standing up against military might.

Despite committed characterisations from the cast, Mark Colvin's Kidney feels like a mismatched transplant, a graft of verbatim on to a more traditional dramatic narrative which, at the end of the two hour operation, the host rejects.

Bell Shakespeare’s latest production of Richard 3 is something of a jumble. An uninspired staging of one of the great plays of the canon, redeemed if not entirely rescued by the strong central performances of the major female leads.

From its opening moment In Difference reaches out and activates two very opposing emotional responses

Mr Stink is the delightful tale of friendship between an odorous vagabond and Chloe, a gifted young writer who is suffering from the angst of school bullies and a mother who just doesn’t understand.