Sydney Reviews
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- Emily Shaddick
Naomi Price takes on the extraordinary challenge of not only reproducing the powerful and dynamic voice of Adele, but also of replicating her personality and physical mannerisms.
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- Jack Teiwes
Hare vividly imagines the interior emotional lives of these historic figures and the infamous public airing of their scandal, choosing to focus on two key moments of “downfall” in Oscar Wilde’s life which took place outside of the public spotlight.
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- Eliza Eggler
Opera Australia’s current production of Tosca under the direction of John Bell is sheer brilliance.
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- Richard Cotter
With The Trouble With Harry, Philpott has created a theatrical palimpsest, applying an inquisitive imagination to fragmentary facts, firing up discussion on gender, sex and ethnic prejudices.
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- Richard Cotter
Don't let anybody tell you that nostalgia ain’t what it used to be. An ecstatic audience cheered, clapped, whistled, hollered and got to their feet on numerous occasions during Tapestry at the Enmore Theatre last Friday night.
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- Richard Cotter
There's plenty of bark and lots of bite in New Theatre's production of The Little Dog Laughed by Douglas Carter Beane.
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- Jack Teiwes
When you’re stuck in an oppressively hot theatre with one fan struggling to make an impact during a Sydney heatwave, you’d better hope that the show you are about to see is good.
Most read Sydney reviews
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A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
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There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.
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Wit and beauty, pride and sorrow, self disgust and merriment
My Brilliant Career | Sydney Theatre Company
Based on an Australian literature classic, My Brilliant Career is destined to become an Australian theatrical classic.
Sistren | Griffin Theatre Company
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
At Home at the Zoo luxuriates in the intensity of Albee’s ferocious humour, mood and impulse, a plunge into loneliness and aloneness leavened by laughter.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.