
This elegantly simple comic premise is spelled out in the title. This is the play that goes wrong and anything that can surely does.

Typically, when artists are described as 'giving their all', it conjures images of a brutal, vulnerable harrowing experience. A form of sacrifice.

Set in a regional Australian pub in 1989, Jim Cartwright’s play Two is almost an anthology, containing no pronounced core narrative, but rather as a showcase for two actors to show their versatility as they double-up in a succession of several roles each.

Set in Spain 1959, a period of Franco's fascist fiscal fiasco, Handa Opera on Sydney Harbour's latest incarnation of Carmen gives us the glitz and glamour of post War Europe and off sets it with a gypsy crew of contrabandits.

There's affectionate offensive arse kicking and farce kissing in Declan Greene's The Homosexuals, or 'Faggots', an unabashed bashing of the politicly correct pomposity that has infected our society.

Evan Placey's play is a keenly observed, cleverly constructed and penetrating piece of emotive, thought provoking theatre that pendulum swings our notions of guilt and innocence, victim and perpetrator.

Once in a while a show comes along which so utterly surpasses your expectations that you leave the theatre feeling giddily happy at having seen something so full of vigour and sheer unadulterated fun.