
A man unconscious, supine on the floor, his top hat off his head. Slowly, he regains consciousness, getting himself erect, and hatted. But he, seemingly, is still “off his head”.

There was a palpable sense of occasion in the foyer of the Sydney Opera House Drama theatre on opening night of Bangarra’s new work Bennelong.

This is a chilling thunderbolt of a production and yet the viewer is still left with some reservations. The first half seems a little rushed if you are overly familiar with the story.

Director Rachel Chant has a firm handle on this production although fewer pregnant pauses and a little faster on the pedal should make The Village Bike an even more exhilarating ride.

With a title that evokes Hollywood melodrama movies, especially from the Forties and Fifties, Only Heaven Knows certainly takes its tropes from time honoured thematics.