
The Ham Funeral is a peculiar journey into the minds and emotions of a small family, mourning the death of a family member who seems to be as loved as he was despised.

This is a play which is at turns simple yet complex, richly layered yet straightforward, at turns surprisingly deep and yet skimming the surface.

The emphatic title You Will Not Play Wagner gives more than a clue about what this play is about.

Farce and furious, Nakkiah Lui's seriously side splitting Black is the New White is an edifyingly entertaining experience.

Between the Streetlight and the Moon, represents playwright Melita Rowston's foray into the arts end of the world, or, more accurately, the art history end.

Munoz's undeniable clowning skills are given full rein for the first part of the show, exercising a quantum of expression, especially in the eyes, to extract a maximum effect, either comic, poignant, mischievous or mournful.

The stunning choreography in this epic tale weaves together a life story, punctured with historical events that carry a weight of emotion.