Sydney Reviews

Details: Jack Teiwes; 13 May 2009

Felicity Ward's Ugly as a Child Variety Show

Ward has a tremendous gift of the gab and a seemingly effortless natural hilarity to go with it.

Details: Augusta Supple; 12 May 2009

When the Rain Stops Falling | Sydney Theatre Company and Brink Productions

When the Rain Stops Falling is an impressive and unique experience which I am sure will be regarded as one of the great Australian plays.

Details: lloyd bradford (brad) syke; 08 May 2009

Any residual notion of Sydney's wild, or mild, west being a cultural desert is defunct.

Details: lloyd bradford (brad) syke; 07 May 2009

What's resplendently inveigling about Pilobolus is the fact that whether you're a dancer, choreographer, have two left feet, are well-versed, or a complete novice, you can hardly fail to be in awe of its output, which is diverse and utterly original.

Details: lloyd bradford (brad) syke; 05 May 2009

Measure for Measure | Factory Space Theatre Company

Dirty deeds, done dirt-cheap; duplicity; subterfuge; espionage; justice; white and other lies; deceit; mercy; compassion. All this, and more!

Details: lloyd bradford (brad) syke; 04 May 2009

Haden is by no means showy, or showman. While he brings his personality to bear, his playing is all about the pieces, not the instrument, his own status, or virtuosity

Details: Jack Teiwes; 04 May 2009

Richard 3 | Siren Theatre Co. & MAKEbeLIVE productions

Richard III is a gripping tale of intrigue, dynastic murder and a fascinating study of evil. Or at least, it can be.

Details: Jack Teiwes; 04 May 2009

The Little Mermaid is a delightful production for young and old.

Most read Sydney reviews

The Lark | Hey Dowling
Noni Hazlehurst brings Rose and The Lark to colourful and compelling life in this one-woman show.
Uked! | Bondi Theatre Company
Uked! is a sing along, string along, immersive jukebox musical, that's more folksy balladeering than an all out, all that jazz razzmatazz.
Doubt | Sydney Theatre Company
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
The Can Principle | Jonny Pasvolsky
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.
Heartbreak Hotel | EBKM
Heartbreak Hotel invites its audience into an intimate portrait of the universal and isolating experience of heartbreak.