It’s a lovely set up, with carefully considered characters that are well observed, and as the play progresses there is a nice sense that this pair have much more in common than it first appears.
The BBC sitcom series of many years ago, Richard Curtis & Ben Elton's Blackadder, is a natural for the stage, with its larger-than-life characters (caricatures, really; and then some) and Chaucerian ribaldry.
While Miriam and the Monkfish could easily be overlooked as a pastiche of celebrity chef culture it’s the satire in the writing, along with Kelly’s energetic performance, that carries the show beyond this.
Director, Dino Dimitriadis, for Epicentre Theatre Company, has done a particularly fine job, in taking Christopher Sergel's adaptation of Lee's perennial novel to the stage
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.