
McGuinness' writing is both swift and eloquent and it is particularly powerful to see an accomplished set of actors explore the full gamut of motives that drive men to war.

When the emotional denouement came towards the end of the Griffin Theatre Company’s production of And No More Shall We Part, it was gut-wrenching.


Samuel Beckett's Godot has been generously crafted and remains for all ages, an obscure meandering in its psychological, philosophical and aesthetic layers; in its climax without a climax and its beginning without a beginning.


This play is what a good story is. It is neither fancy nor is it camouflaged with riskless speech. It is quite simply a revelation of what everyone has done or has had done to them.

This intriguingly named one-woman puppet show is as obscure as its title and hauntingly beautiful.