
The tragedy of the story became our story, and the fears of this cryptic night at the theatre became our very fears.

Darkness. Silence. Through the dim, white. A large blank page, several meters high by nearly the stage wide. In front, sits the stage. Empty.

The audience fell silent before a voice in a grainy speaker could even request it. I’m sure every single member of the audience had heard that this musical already received rave reviews; it was a silence that spoke volumes.

Erika paints pictures with her deep voice, singing tongue-in-cheek tunes, satirical and political material and longing, heartbreaking biographies of love.

Josh Thomas’ wry, observational humour had his audience squirming as well as laughing out loud.

Unsex Me is honest, critical, touching at times, occasionally very funny, sometimes (I confess) confusing, but above all, refreshing, and I enjoyed it a lot.

Who's the Best explores, through the arc of three individuals (none of which being your run of the mill performer or dancer) the results and realities of how our society perceives and compares success.