Latest Reviews
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It’s a while since I’ve heard an audience gasp in shock at a character’s actions onstage but the depths of sibling bastardry portrayed in Felix Nobis’s Boy Out of The Country certainly hit the spot.
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Robert Reid has taken the events surrounding the toppling of Kevin Rudd and made them into a play, the second of Five Pound Theatre's five week repertory season at The Owl and the Pussycat.
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If there is a good musical version of Carrie extant, it is not this one – it’s easy to see why this was a Broadway flop.
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This is a sparkly, dialogue-driven, alternative rom-com. It places the protagonists, a wildly different man and woman, together in the untidy lost weekend that never should have happened.
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The Cake Man is a seminal piece of Indigenous theatre, and this production at Belvoir St does Robert J Merritt’s classic script proud. It is a difficult play to watch, but an important one.
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Frenetic and boisterous, the show is staged with little in the way of set or props, but a lot of very exuberant and uproarious performances, the strong ensemble cast mostly making meals of their characters.
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A new work by Madness and Tea, Jack and Jill has many hilarious moments, but the plot is slightly hit-and-miss and feels underdone at times.
