
Regardless of whether or not you are a fan of Agatha Christie’s crime stylings, witnessing the genius of a Christie mystery unfold live before your eyes is a must.

The Illusionists 2.0 offers a profusion of illusion inventiveness and a quantity of big laughs. Unlike its predecessor, this new show doesn't belong in the top ranks of magical fare but, it contains enough thrills, charm, and warmth to make it a solid family entertainment.

Spurred on by the sell-out success of 2010/11 cabaret Yummy, Sally Bourne and Susan Ann Walker have created an outstanding new production.

Written in the early 90's, this story of sex, lies and journalism set in Melbourne and Manila is still relevant and punchy today.

Pinchgut only perform one opera a year, but their production of Cavalli’s 17th century hit, Giasone, would make you think they played baroque opera constantly, so at ease was everyone with the style.

This is an interesting portrait of a person, but a powerful exploration of personal choice in the face of wider societal expectations.

The show is entertaining, engaging, hilarious at points, yet quite heart-breaking in others. The music is spectacular and Chappell and Dikkenberg’s voices are like liquid gold.