
This production of Oedipus Schmoedipus seems like such a missed opportunity to mine a depth of theatrical and philosophical material.

Anthony Skuse has directed a tour-de-force with On The Shore Of The Wide World. There is never a lull, never a moment where you get bored or distracted.

Wolfy is not your typical ‘big bad wolf’. A poetry-loving vegematarian, all Wolfy wants is a friend. But in Alarmsville, where Wolfy lives, the presence of a wolf signals danger, and the onus is on Alarmsville’s citizens to sound a warning whenever a wolf comes near.

Roald Dahl’s Revolting Rhymes and Dirty Beasts verses have been brought to life in a fantastically fun La Boite and shake & stir co-production.

The Piper is some of the loveliest children’s theatre I have ever seen. It’s clever and charming and never condescending. Even though I’m not exactly the target audience, I was captivated by it. An absolute Sydney Festival highlight.

Wittenberg is a silly play for smart people. While it might be a little confusing for those who don't have a passing acquaintance with Shakespeare, Marlowe and/or Luther, for those who do, it's freaking hysterical.