Latest Reviews
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When it isn’t getting bogged down in Shakespeare’s verbiage, it’s light-hearted, funny, and kind of gloriously anti-romantic.
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Mullum Music Festival, now all packed up until next year, is such a smorgasbord festival of the creative kind: you have to embrace it, cruise with it, chillax, contemplate, absorb and slide into the slip-stream of events.
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><R&J is eclectic, ironic, highly referential and revels in deconstruction and transformation.
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A dark open mouth of a proscenium arch, hemmed with a moustache of broken, missing or faded light bulbs. A thin, endless branch arcs into the sky. Grey, brick-worked waste land. Two men, like tattered coats upon a sticks, wait.
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Chitty Chitty Bang Bang, everybody’s fine four fendered friend, has finally flown into Brisbane’s Lyric Theatre and it’s guaranteed to be the number one ‘fantasmagorical’ show to take the whole family to this summer.
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The Sydney Shakespeare Festival's production of King Lear is solid, if somewhat unadventurous. While the first half drags a little, the second makes up for it, the relentless action driving this classic play towards its bloodbath of a conclusion.
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Vere (Faith) is an absolute tour de force. Sarah Goodes has directed a stunning production of John Doyle’s play, and it is beautifully performed by a stellar ensemble cast. This is one of the best shows I have seen this year.
