Latest Reviews
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Pinchgut only perform one opera a year, but their production of Cavalli’s 17th century hit, Giasone, would make you think they played baroque opera constantly, so at ease was everyone with the style.
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This is an interesting portrait of a person, but a powerful exploration of personal choice in the face of wider societal expectations.
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The show is entertaining, engaging, hilarious at points, yet quite heart-breaking in others. The music is spectacular and Chappell and Dikkenberg’s voices are like liquid gold.
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US Belgian-based dancer/choreographer Eleanor Bauer creates a work of playful eloquence, humour, poignancy, ambivalence and honesty.
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When it isn’t getting bogged down in Shakespeare’s verbiage, it’s light-hearted, funny, and kind of gloriously anti-romantic.
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Mullum Music Festival, now all packed up until next year, is such a smorgasbord festival of the creative kind: you have to embrace it, cruise with it, chillax, contemplate, absorb and slide into the slip-stream of events.
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><R&J is eclectic, ironic, highly referential and revels in deconstruction and transformation.
